TV Guide's Movie Guide
|
Critic Rating:
|
5
|
|
By Maitland McDonagh
|
|
Feb 25, 2011
|
|
The contrivances culminate in a melancholy resolution that lends a certain quiet gravity to everything that precedes it, a small grace note that rings surprisingly true.
|
|
Read Full Review
|
|
E! Online
|
Critic Rating:
|
2
|
|
By
|
|
Feb 25, 2011
|
|
It'll leave you with a sour taste in your mouth.
|
|
Read Full Review
|
|
FilmJerk.com
|
Critic Rating:
|
1
|
|
By Edward Havens
|
|
Feb 25, 2011
|
|
Without a single redeeming character or moment that rings true, audiences will likely cheer for all the bad things that happen to this truly reprehensible couple.
|
|
Read Full Review
|
|
Premiere Magazine
|
Critic Rating:
|
8
|
|
By Kevin Allison
|
|
Feb 25, 2011
|
|
The acting is so intriguing, the plot so unpredictable and the imagery so vibrant, the whole thing is compelling from beginning to end.
|
|
Read Full Review
|
|
New York Times
|
Critic Rating:
|
4
|
|
By Stephen Holden
|
|
Feb 25, 2011
|
|
Milk and Honey is the kind of nightmare- in-a-box you might expect if Neil LaBute remade Martin Scorsese's After Hours on a shoestring.
|
|
Read Full Review
|
|
Village Voice
|
Critic Rating:
|
8
|
|
By Mark Holcomb
|
|
Feb 25, 2011
|
|
A disarmingly effective reckoning with loss and regret.
|
|
Read Full Review
|
|
Long Island Press
|
Critic Rating:
|
8
|
|
By Prairie Miller
|
|
Feb 25, 2011
|
|
The characters each make their separate ways through Manhattan's cavernous underbelly, that is less milk and honey than a lunatic Dante's Inferno.
|
|
|
|
Newark Star-Ledger
|
Critic Rating:
|
8
|
|
By Lisa Rose
|
|
Feb 25, 2011
|
|
With its downtown context and mood of escalating desperation, the movie bears a strong resemblance to Martin Scorsese's Manhattan odyssey, After Hours.
|
|
Read Full Review
|
|
New York Post
|
Critic Rating:
|
5
|
|
By Lou Lumenick
|
|
Feb 25, 2011
|
|
Some fine performances shine through in Joe Maggio's pretentious, credulity-straining dramedy.
|
|
Read Full Review
|
|
New York Daily News
|
Critic Rating:
|
6
|
|
By Elizabeth Weitzman
|
|
Feb 25, 2011
|
|
It's not surprising that director Joe Maggio got Hal Hartley to score his off-kilter drama. Both upend clichés through a deadpan visual style and mordant performances. As a result, both have had uneven success.
|
|
Read Full Review
|
|